#Canon digital professional iso manual#
#Canon digital professional iso iso#

The Sony A1 can pair with the Sony Xperia Pro, which acts as a 4K monitor (Image credit: Sony)īoth the A1 and R5 are capable of 8K 30p video, but it's the latter that has the slight edge. Factor in the R5's -6EV autofocus capability compared to the A1's -4EV, and the Canon is the superior performer for low light shooting.

#Canon digital professional iso iso#

While we don't know the video sensitivity ranges, the A1 has a native ISO of 100-32000 for stills, expandable to 50-102,400.

#Canon digital professional iso manual#

In video the Auto ISO mode operates between 100-6400, manual is 100-25,600, and the maximum sensitivity for filming is ISO51,200. The Canon EOS R5 features a native ISO range of 100-51200, which is expandable to 50-102,400. The R5 holds another advantage over the A1 when it comes to sensitivity – which isn't unexpected, given the fewer (and, hence, larger) number of individual photosites on the sensor. While the A1 also features real-time Eye AF for humans, animals and birds, the latter only works for still images – whereas Canon's impossibly accurate animal eye AF works on birds in video as well as stills. The A1 has a comparatively paltry 759 AF points with 92% coverage, and can only focus down to -4EV.Ĭanon's Dual Pixel AF II combined with its AI-programmed Deep Learning AF makes the R5 capable of transformatively accurate eye, face and body tracking for humans and animals. The R5 features 5,940 AF points for stills (with 4,500 for video) with 100% coverage, and is capable of focusing down to -6EV and boasts the world’s fastest AF speed of just 0.05 sec. The Canon EOS R5 holds a significant edge over the Sony A1 when it comes to autofocus in both stills and video. In terms of buffer depth, Sony tells us that the A1 can handle 155 compressed RAWs at 30fps and 238 compressed RAWs at 20fps – the latter contrasting with the 180 uncompressed RAWs that the R5 can buffer at 20fps. The R5 counters with a still lightning-quick 20fps top speed, but it's nowhere close.Īn interesting point is that the Sony can only achieve 30fps when shooting Compressed RAW, not Lossless Compressed or Uncompressed (though it can shoot at 20fps with other RAW types). The A1 possesses a clear advantage over the R5 – and, indeed, the best cameras for sports photography – with its blisteringly fast 30fps continuous shooting speed. Thus, the A1 is capable of 199MP images from a 16-shot composite – though it should be stressed that this process requires a completely still subject, and processing with the Imaging Edge desktop software, so its uses are pretty much limited to still life subjects. This technology – seen in cameras like the Sony A7R IV – uses the in-body image stabilization system to move the image sensor between multiple exposures, producing an image with quadruple the resolution of the native sensor readout.

What makes a huge difference, though, is the Sony A1's Pixel Shift Multi Shooting mode. When comparing, for example, the 45MP images from the R5 to the 50MP images of the Canon EOS 5DS, the difference isn't that pronounced in practical terms.

On the surface, the advantage isn't as huge as it may seem. By contrast, the Canon EOS R5 features a standard 45MP full-frame sensor. The Sony A1 holds an advantage in the resolution category, packing a 50.1MP full-frame, backside illuminated, stacked image sensor with integral memory.